Doors

A bland, incurious picture with little awe at the universe.

[Doors] starts with an energetic idea, then dissipates it with a series of aggressive wrong moves.

Doors is a no-wait assemblage of space fiction. The beautifully-shot and brisk movie also pushes for cosmic uncertainty against everyday backdrops.

Portal looks great and the soundtrack is superb but its stories are inconsistent in terms of quality and that affects your enjoyment of the film as a whole.

Anthology films are always tricky beasts to wrangle and here a confliction in tones and narrative styles unpicks a sound attempt to connect the individual stories.

Doors has a compelling concept, but lacks the follow-through to truly engage us dramatically or intellectually.

Doors is ambitious, lo-fi sci fi that works as an entry way to new ideas but never quite gets over the threshold.

Consisting of three segments, this hit-and-miss cinematic jumble imagines our world being taken over by the titular otherworldly gateways.

This weird end-of-days sci-fi thriller doesn't quite work but engages nevertheless.

By attempting to cram so much information into a brisk running time, Doors never quite gets to the heart of the overall story it is trying to tell.