Fatima

At under two hours it's not a long film, yet it feels as though your faith is being tested at every turn.

Pontecorvo seems particularly interested in conveying the gravitas of Lúcia's spiritual burden, which is anchored by Gil, who is full of quiet intensity and impressive conviction.

Fatima raises some intriguing questions about faith but sadly fails to make us believe in anything more comforting than the climate of fear, distrust and grief that flourishes during wartime.

A film that, in stark contrast to most faith-based fodder, is gorgeously shot and designed.

Difficult to remain engaged, despite a talented cast.

Pontecorvo shoots the film radiantly - including a quick CGI excursion to hell - but there is something spiritually complacent about his slickness.

Fatima explores the concept of faith and doubt, without sensationalism.

The core of this new production, of evident Catholic roots, is that of always, the emotional, and destined to the already convinced, to the believer... [Full review in Spanish]

The visions arrive in a bright light as part of nature out of the breezes that move the trees, though there also is a CGI sequence of hell.

Uneven performances and a dawdling, clunky script mute the impact