Get Away

critic Reviews

, 73% Certified Fresh Tomatometer Score
  • Drawing blood and yucks from its literal tourist trap setting, Get Away is uneven as comedy and horror but makes for a highly unique blending of the two genres.
  • , Rotten Tomatometer Score
    Kevin MaherTimes (UK)
    ... The movie degenerates into a tedious slow-motion gore-fest that’s as empty as it is illogical.
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  • , Fresh Tomatometer Score
    John NugentEmpire Magazine
    Funny and shocking, Get Away is not always a successful holiday-gone-wrong, but its bloody bonkers final act makes it worth the trip.
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  • , Fresh Tomatometer Score
    John AndersonWall Street Journal
    Offhandedly funny, conscientiously forbidding and ultimately a surprise.
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  • , Rotten Tomatometer Score
    Cath ClarkeGuardian
    The tone here feels less good natured, more self-congratulatory, the comedy not quite so light on its feet. Though it comes into its own with a cheerfully gruesome gorefest in the last half-hour.
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  • , Fresh Tomatometer Score
    Christian ZilkoindieWire
    Should moderately entertain horror lovers looking for 86 minutes of fun. It’s no “Shaun of the Dead,” but it might be a better use of your time than a 100th rewatch.
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  • , Rotten Tomatometer Score
    Brian TallericoRogerEbert.com
    Steffen Haars's "Get Away" is a one-joke film, and it doesn't even have a good punchline.
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  • , Fresh Tomatometer Score
    Tyler DoupeDread Central
    ‘Get Away’ offers some good laughs but the home stretch is a bit of a slog.
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  • , Rotten Tomatometer Score
    Maria LattilaFilm Stories
    There’s only so much the audience can suspend their disbelief, especially if there’s nothing to make us forget just how little sense everything makes.
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  • , Fresh Tomatometer Score
    Ian BuntingDaily Record (UK)
    Get Away is a mixed bag of so-so folk horror parody and surprising, manic blood-letting that makes Haars and Frost’s flick worth the troubled trip.
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  • , Rotten Tomatometer Score
    Chris WasserIrish Independent
    It’s too loose, a tad underdeveloped even, and Frost’s erratic, toneless screenplay promises more than it delivers.
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