Gloria Bell

[Julianne Moore] is always terrific, but she gives an especially terrific, well-rounded performance here. It's nuanced, vulnerable, strong, funny, emotionally rich and textured.

A well-observed, good character study, although something that you may have seen before.

Gloria Bell is somewhat exhausting - both unbearably intimate and at a constant remove - but it is endlessly pulled back into focus by Moore.

The result isn't better than the 2013 original but it's just as good.

Moore's subtle, empathetic work elevates what could be dismissed as a small-scale, even banal story.

Whether she's dealing with conflicts at work, doing laugh therapy sessions, or smoking weed on the floor of her apartment while the Californian sunlight slants through the window, this is a Bell that chimes.

Gloria Bell deserved much more happiness behind the camera and on the page to make this something truly worth dancing for.

Gloria Bell succeeds as an empathetic look at middle age with all of its accompanying trials, not least of which is the challenge of finding a worthy partner whose baggage doesn’t outweigh our own.

Julianne Moore has the kind of talent and charm that makes you forget Gloria Bell is a remake.

Writer-director Lelio maintains many of his first version's effective moments, which shift smoothly from their original setting in Santiago, Chile to Los Angeles.