Godzilla Minus One

Director Takashi Yamazaki, a seasoned special effects supervisor, brings the story back to its original post-war roots—and brings back a sense of spectacle.

This may be the only Godzilla movie that will make you feel verklempt by the time it concludes.

The film threads the needle of epic intimacy by identifying a personal element too expansive to be trivial, a battle we all take up together in solidarity.

Heartfelt and often awe-inspiring, Japanese VFX wizard Takashi Yamazaki delivers the best kaiju movie in decades.

A refreshingly humanist and nostalgic reboot of the iconic monster franchise, Takashi Yamazaki’s Godzilla Minus One takes the atomic lizard back to his post-war roots...

Yamazaki’s take on Godzilla is classical, utilizing the giant kaiju as a metaphor for social commentary, and his aesthetic take is classical as well, combining a retro 1940s style with cutting-edge visual effects

Toho has gone back to its roots and achieved the true pinnacle of Godzilla glory with Godzilla Minus One

Minus One, set immediately after World War II, lacks junky fun... in fact, it bears the stink of seriousness&#59; it’s the most white elephant film in the series — the white ‘zilla if you want a pithy pull quote.

A hell of a sequel to 'Oppenheimer.'

“Godzilla Minus One” offers a crash course on how to make a great blockbuster. It has the signature thrills and big screen spectacle. But it’s the deeply ingrained human element that make it stand out.