Good One
critic Reviews
, 98% Certified Fresh Tomatometer Score- A beautifully acted depiction of being caught between a rock and a hard place, Good One confronts difficult emotions and yields a striking feature debut for writer-director India Donaldson.
- , Fresh Tomatometer ScorePeter RainerFilmWeek (KPCC - NPR Los Angeles)
It's subtle; nothing is underlined. You can discover the movie as it goes along for yourself.
Read full article - , Fresh Tomatometer ScoreClaudia PuigFilmWeek (KPCC - NPR Los Angeles)
A low-key, superbly acted, very well-directed indie.
Read full article - , Fresh Tomatometer ScoreAlexandra Heller-NicholasAWFJ.org
A quiet yet powerful film about learning how you want to be in the world, Good One is an impressive calling card for both Donaldson and Collias herself.
Read full article - , Fresh Tomatometer ScoreMichael PhillipsChicago Tribune
Despite a few lines of dialogue veering into on-the-nose territory, at its best “Good One” catches fragments of a lifetime in a sentence or two.
Read full article - , Fresh Tomatometer ScoreTy BurrWashington Post
Welcome to “Good One,” India Donaldson’s short, sharp, subtle tale of a teenager on a camping trip with her father and his best friend.
Read full article - , Fresh Tomatometer ScoreKimberley JonesAustin Chronicle
It’s a star-making turn: not just a good one, a great one.
Read full article - , Fresh Tomatometer ScoreLindsay ClarkeExclaim!
Will bring indie film lovers back to the times of camping trips with dad and when mumblecore was at its finest.
Read full article - , Fresh Tomatometer ScoreRene SanchezCine Sin Fronteras
Lily Collias is a revelation in India Donaldson’s profound and captivating feature debut. [Full Review in Spanish]
Read full article - , Fresh Tomatometer ScoreLisa Giles-KeddieHeyUGuys
A breakout performance from Lily Collias imbues India Donaldson's tightly directed film with a magnetic, propulsive quality. A masterclass in low-key filmmaking.
Read full article - , Fresh Tomatometer ScoreMurjani RawlsSubstream Magazine
It’s Donaldson’s sure and steady hand of storytelling that doesn’t need to explain everything to the audience. But there’s enough subtext to know that these three people will never be the same after this trip.
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