I See You

The director's smartest achievement, however, is the way that he shifts the narrative emphasis around, frequently via plot twists, minor and major.

It would be impossible to guess the ending of I See You during its tiresome first act, which is something numerous films can't tout, but the movie uses cheap tricks to earn that kudos.

An eerie suspense exercise that starts out looking like a supernatural tale - one of several viewer presumptions this cleverly engineered narrative eventually pulls the rug out from under.

Director Adam Randall and screenwriter Devon Graye have delivered the kind of sly nail-baiter that could use a little more open space on the calendar to build up buzz so it can get noticed by fans of imaginative, original horror.

Just when you begin to question your own mental faculties and wonder if you've wandered into the wrong movie by mistake, the whole thing takes a left turn and leaves you convinced it's not the real Hunt you are watching, but a no-talent look-alike.

The film's tone is extremely eerie, with creeping camera movements, striking imagery, abrupt edits, and a delicately sinister score.

A hauntingly good puzzle of a film with twists you won’t see coming.

In defter hands, a similar story might have some punch but, as is, this amounts to a big yawn.

There’s some cleverness in its construction that might delight genre enthusiasts, yet a strong mid-section gets tainted by the painfully obvious opening and closing bits.

It could have gone very wrong and, beyond a few conventions and effects, the result is positive. [Full Review in Spanish]