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A marvelous picture, spotlighting roughhouse action and a leather-jacket score, while reinforcing Di Leo's iconic status as a crime film craftsman tackling a challenging study of duality and honor.
Fernando Di Leo (and co-scribe Sergio Donati) keeps you interested with the exciting car chase/crash scenes that bookend the film.
Di Leo is a master of the action scene, two car chases extravagantly choreographed, but there is humor evident as well in a cross cut elevator 'chase.' At its core, though, "Shoot First, Die Later" is a densely plotted film with a bleak outlook...
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