Italian Studies

critic Reviews

, 40% Rotten Tomatometer Score
  • Vanessa Kirby is always a magnetic screen presence, but Italian Studies is too disjointed and superficial to take advantage of her talents.
  • , Rotten Tomatometer Score
    Christy LemireFilmWeek (KPCC - NPR Los Angeles)
    I don't really know what they're aiming for here... There needs to be a point to why we're telling this particular story in this particular way.
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  • , Rotten Tomatometer Score
    Randy MyersSan Jose Mercury News
    It's only 81 minutes long but feels like an eternity or two.
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  • , Fresh Tomatometer Score
    Glenn KennyNew York Times
    Its idea of time is multidimensional, as is its idea of form.
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  • , Fresh Tomatometer Score
    Guy LodgeVariety
    Adam Leon's brief, stylish film never fully unpacks its intriguing premise, but gains feeling and texture from Kirby's performance as a writer in a dissociative fugue.
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  • , Fresh Tomatometer Score
    David FearRolling Stone
    For a long stretch, Italian Studies turns this trip down memory-loss lane into a low-wattage livewire, an unpredictable stroll into the unknown.
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  • , Rotten Tomatometer Score
    Carlos AguilarRogerEbert.com
    Mildly auspicious if ultimately disappointing.
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  • , Fresh Tomatometer Score
    Bill BriaVague Visages
    In essence, Italian Studies is a movie made up of bits and pieces that never quite coalesce, and perhaps that’s its entire point.
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  • , Fresh Tomatometer Score
    Taylor BakerDrink in the Movies
    An impulsive saturnine film that follows Vanessa Kirby as she billows around New York City for an unclear amount of time in an amnesiac fugue state. The non-linear timeline of the film accentuates the
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  • , Rotten Tomatometer Score
    Dallas KingFlick Feast
    The film’s runtime is just 81 minutes however every New York Minute feels like a hour stuck in rush hour traffic on the way to JFK.
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  • , Rotten Tomatometer Score
    David GonzalezThe Cinematic Reel
    Ultimately, Italian Studies leaves the door between the real and the fictional world wide open. Its spontaneity makes the film, not the worst, but the most disappointing film of this year’s Tribeca Film Festival.
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