Journey to Bethlehem

If you feel the need to watch a faith film, you could do far, far worse than this one, a decently staged musical treatment of the nativity that feels like a Christian version of a live action Disney movie.

A snappy, satisfying seasonal-appropriate gem, complete with wisecracking Three Wise Men.

A competent, if undistinguished directorial debut with the least edgy retelling of the nativity story around (which is essentially what the faith-based audience has been asking for).

The magic of movies does depend on a certain suspension of disbelief, but “Journey” tests the viewer beyond rational credulity, even as it persists in asserting the reality of its existence.

Stealing the show, of course, is Antonio Banderas – no, really – dialling in a King Herod who could have stepped straight out of Jesus Christ Superstar, blowing the roof off whenever the script lets him.

... It struck me as rather cheesy and ludicrous. In its own way, though, the film is competently put together and rattles along.

More faith-based films like this and fewer with Kevin Sorbo, please and thank-you.

While it lacks the gravitas of classic movie adaptations of the Biblical story, it’s a melodic and well-sung variation that steers clear of controversy.

Sometimes a bit corny, this modern look at the Nativity is a crowd pleasure for sure.

Palomo and Manheim are dynamic young performers, and Banderas' scenery-chewing portrayal is outsized but manages not to tip too far into camp.