Knives Out

Knives Outis never, ever dull and offers the kind of classy entertainment we could use more of on the big screen. And I have a feeling we'll see more of Daniel Craig's colorful character down the road.

"Knives Out," in the end, believes earnestly in the whodunit, it just wants to turn it inside out. To say more about that would spoil the fun. But keep an eye here, and elsewhere, on de Armas.

At two hours and 10 minutes the film's on the long side, but it's an entertaining enough pastiche and we haven't had enough of these in the cinema lately. The production design of the cluttered house is fabulous.

As a smartly crafted and shaped piece of entertainment, Johnson's movie comes off especially good in a moment when such mid-budget, story-driven movies have all but disappeared; it's a throwback that's also an outlier.

The film has a sense of glee that's infectious. It's pleasurable and occasionally silly but it's consistently fun.

What makes it such a crowd-pleaser is that [Rian] Johnson also expresses a reassuring optimism that human decency will prevail, and that justice will favor the hard-working and good-hearted over the pernicious and self-serving.

Knives Out is playful and entertaining but his commentary on political and personal detractions within his life spring forward...

In Knives Out, the crime is treated through the police enigma genre that will keep the viewer entertained from beginning to end, through the excellent dosage of information and the different twists and turns that its resolution presents.

Witty, unpredictable and surprisingly insightful, Rian Johnson’s whodunnit Knives Out keeps you guessing until the very end.

Masterfully written dialogue, remarkable editing, and great use of classic cinematography techniques. An entertaining story with tremendous replay value and significant sociopolitical layers that only elevate the already complex yet subtle narrative.