M3GAN

M3GAN rollicks along with all the slickness and shocks you’d expect from a film produced by Insidious’s James Wan. It always keeps you in on the joke -- and it’s a killer joke.

I love this movie so much, and had the absolute best time.

The ending is predictable, as it is on a roller coaster, but it's a thrilling ride all the same. For Wan's Atomic Monster Productions and Blumhouse Productions it may be the beginning of a beautiful friendship.

M3gan is an enjoyable horror-lite romp: knowing, amusing, but not particularly scary.

What really gives M3GAN resonance are the connections with our addiction, as both children and adults, to electronic hand-held devices.

This won't pop up on any top ten lists by the end of the year, but for a genre film released in a month typically reserved as a dumping ground for studios, this is all you could hope for.

This is a very well made and entertaining horror film, maybe the best I've seen since 'The Invisible Man' (2020).

M3GAN is chaotic, dumb — and nearly perfect. It's an off-the-wall, irreverent, and absolutely on-target sci-fi slasher-satire about a killer-kid robot ... [that] accomplishes nearly everything it attempts, and everything the buzz promised.

Sometimes you know when something has cult-classic written all over it, and although M3GAN might be too of the moment to achieve that, it certainly has camp-classic stamped on it.

Finally a killer doll movie where the doll doesn't just sit and turn its head. I need 10 more M3GAN Movies.