Nobody Knows I'm Here

critic Reviews

, 76% Fresh Tomatometer Score
  • , Fresh Tomatometer Score
    Jessica KiangVariety
    Opposing impulses - sweet and sinister - sometimes threaten to break the film apart, but Garcia's performance always pulls the two halves back together.
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  • , Fresh Tomatometer Score
    Eric KohnindieWire
    It all comes down to a mournful gaze, and the simmering rage visible just beneath it.
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  • , Rotten Tomatometer Score
    Odie HendersonRogerEbert.com
    One of those films where your satisfaction will be measured in terms of whether you found its hero fully realized as a character.
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  • , Fresh Tomatometer Score
    Ben KenigsbergNew York Times
    "Nobody Knows I'm Here" makes a narrative strategy out of withheld information, abrupt elisions and possible fantasy sequences.
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  • , Rotten Tomatometer Score
    Yasser MedinaCinefilia
    A film that, with a naturalistic style, has noble intentions to dialogue with topics such as childhood, frustration and loneliness, but at times it becomes tepid and not very touching. [Full reveiw in Spanish]
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  • , Fresh Tomatometer Score
    Gisela SavdieEl Heraldo
    The film draws attention to the consequences of early experiences with discrimination [Full Review in Spanish]
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  • , Rotten Tomatometer Score
    Barbara ShulgasserCommon Sense Media
    Child singer becomes adult recluse; some language.
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  • , Fresh Tomatometer Score
    Fernanda SolórzanoLetras Libres
    In his first film, the Chilean Gaspar Antillo reinvigorates the genre of films about show business, by approaching the subject from psychological suspense. [Full Review in Spanish]
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  • , Fresh Tomatometer Score
    Ruben Peralta RigaudCocalecas
    It is at least held together by Jorge García's understated performance. [Full review in Spanish]
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  • , Fresh Tomatometer Score
    David 'Mad Dog' BradleyAdelaide Review
    This peculiar but curiously moving drama from Gaspar Antillo is built upon a finely understated performance by Jorge Garcia, a man who could carry just about anything.
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