Nope

Closer to the slick visuals of “Get Out” but with a more probing narrative, akin to “Us,” “Nope” is as much an experience as all of Peele’s efforts, with a similarly intriguing premise.

Working with the fine cinematographer Hoyte van Hoytema, Peele turns the Haywood ranch into a wide-format proscenium of supernatural mayhem.

It's extremely sophisticated, this film. And it's very mysterious in its structure.

Brimming with tension but laced with gaiety so as to never feel hostile, Nope is an operatic and sweeping thriller that celebrates cinema and simultaneously condemns it as an industry built on obscured violence.

Meanings in Nope spring eternal, and they are surely too numerous to be absorbed in one go. A repeat viewing, then? I wouldn’t say nope.

A better movie to argue about than to watch.

Nope, Peele’s third directorial outing, may debut in the horror genre, but there’s more to the brilliant film than audiences’ expectations.

More stylish than substantial.

I love all of Jordan's movies so far, but this one might be my favorite just because there's so much to unpack. Every time I think about it I find more things that I need to talk about and it's the gift that keeps giving.

It's a very layered movie, lot of themes on Hollywood and how it uses people and kinda chews them up and spits them out - figuratively. He [Jordan Peele] is probably one of our best directors today.