On Dangerous Ground
On Dangerous Ground (1952)

Robert Ryan plays Jim Wilson, a tough police detective embittered by years of dealing with low-life urban scum, in Nicholas Ray's moving film noir. After severely beating several suspects, Jim is assigned to a case far from the city to… More

Directed By:
Rated: R
Running Time:
Release Date: January 1, 1952
DVD Release Date: July 18, 2006
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Rotten Tomatoes™
Critic Score
100%
Flixster
User Score
81%

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Critic Score: 100% Rotten Tomatoes™ Critic Reviews
Dave Kehr
Chicago Reader

One of the loveliest of Nick Ray's movies.

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Michael E. Grost
Classic Film and Television

Haunting mix of police story, romance and tale of regeneration.

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TV Guide

A realistic and often gripping crime yarn.

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Matt Brunson
Creative Loafing

The performances are potent, the direction by Nicholas Ray is suitably moody, and the score by Bernard Herrmann is terrific.

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Paul Brenner
Filmcritic.com

What succeeds in On Dangerous Ground is the raw emotionalism that bleeds out from the screen, unmatched in any of Ray's other films.

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Film4

Above par noir thriller that takes some stereotypical characters and potentially sentimental situations to fashion them into a film that thinks as well as entertains.

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Fernando F. Croce
CinePassion

An exalted modulation from harsh to lyrical and back, the culmination of Nicholas Ray's Borzagean side

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Steve Crum
Video-Reviewmaster.com

Nicholas Ray's classic noir starring Ryan and Lupino.

Nick Schager
Lessons of Darkness

One of noir's most soulful and poetic expressions of hope and redemption.

Full review…
More reviews for On Dangerous Ground

Flixster Audience Score: 81% Flixster User Reviews
jay nixon
Atmospheric noir mood piece with excellent work by greats Robert Ryan and Ida Lupino with an evocative score by Bernard Hermann, reportedly his favorite of all… More
Ken Stachnik
Really interesting Noir from Nicholas Ray. It's sort of the Dusk till Dawn of it's day. It's a picture of two distinct halves. The first a… More
Michael Gildea
A great psychological noir. Completely changes tone in the middle which almost makes watching this film like a double feature.