On Her Shoulders
critic Reviews
, 96% Certified Fresh Tomatometer Score- On Her Shoulders traces one woman's incredible journey to offer an inside look at modern political advocacy - and a challenge to viewers yearning to effect their own change.
- , Fresh Tomatometer ScoreBen SachsChicago Reader
Director Alexandria Bombach (Frame by Frame) shot this documentary portrait of human rights activist Nadia Murad not long before her subject received the Nobel Peace Prize, and the movie argues persuasively that the prize was well deserved.
Read full article - , Fresh Tomatometer ScoreEd PottonTimes (UK)
Be ready for tears, on screen and your own.
Read full article - , Fresh Tomatometer ScoreIan FreerEmpire Magazine
On Her Shoulders is a compassionate, level-headed portrait of a remarkable woman. What it lacks in filmmaking fireworks, it makes up for in the sheer magnetism and moxie of its hero.
Read full article - , Fresh Tomatometer ScorePeter BradshawGuardian
Nadia is shown always surrounded by crowds, almost crushed by them. But her utter loneliness is heartbreaking.
Read full article - , Rotten Tomatometer ScoreNigel AndrewsFinancial Times
On Her Shoulders is close to being awful.
Read full article - , Fresh Tomatometer ScoreMatthew MonagleAustin Chronicle
It would almost be absurd if it weren't so deadly serious.
Read full article - , Fresh Tomatometer ScoreRichard PropesTheIndependentCritic.com
At its most emotionally impactful when Bombach simply plays observer to everything that's unfolding.
Read full article - , Fresh Tomatometer ScoreLisa TrifoneThird Coast Review
Bombach's film, and Nadia's willingness to participate in it, reminds us that what happens a world away is happening to us, to all of us as humankind.
Read full article - , Rotten Tomatometer ScorePat MullenPOV Magazine
lexandria Bombach won a directing prize at Sundance for this portrait of Murad, but On Her Shoulders might just as well have been made by Murad's publicist.
Read full article - , Fresh Tomatometer ScorePhil GuieFilm-Forward.com
The film takes an intimate approach to its subject, who occasionally speaks directly to the camera. These moments can be revelatory.
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