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Despite the aggressive title, "Pig Death Machine" lacks shock value. Or any other kind of value.
Everything here is undercut by deliberate anti-gloss, as if the laws of coherence are too plebeian for the self-imagined lofty artiness of the filmmakers.
As scuzzy, schizoid and defiantly lo-fi as ever, punk-rock auteur Jon Moritsugu proves with his Kickstarter-funded first feature in over a decade that there's still a cinematic underground in the post-Internet world.
Anyone who longs for the old, weird films of John Waters or the psychotronic freak-outs of New York's Cinema of Transgression school should be able to get their fix from "Pig Death Machine."
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