Possessor: Uncut

Believe the hype: Possessor is as good, if not better, than you've heard

Cronenberg by name, Cronenberg by nature.

Bodily betrayals marry tech conspiracy theories in this unnerving second feature from Brandon Cronenberg.

It's pure cinematic dysmorphia: to watch this movie carefully is to feel completely out of place, right alongside the people onscreen.

Possessor's genuinely horrific, stroboscopic imagery suggests a filmmaker wrestling with a family legacy but also coming into his own.

That red butterfly captures the little bit of herself that Vos loses with every job as she becomes something else, and Possessor: Uncut makes you wonder: What the hell is she turning into?

There is so much stuff in Possessor that you might think you're at a venerable cinematic feast. But take away the squelching and splatter and there's barely enough to fill an episode of Black Mirror.

Possessor is a taut, violent, science-fiction nightmare. A bloody tale reminiscent of an early Black Mirror episode.

Possessor is a completely original take on the hired-killer-running-into-obstacles cliché.

Just like Andrea Riseborough’s mental intruder, Possessor is a film that you will struggle to get out of your head.