Rodeo

While it doesn’t entirely work, the film is as fearless and in-your-face as its formidable central character.

[Julie Ledru] brings to the role the sad eyes of Jeanne Moreau, the swaggering insouciance of Béatrice Dalle and the saddle skills of Evel Knievel. The film around her, though, has frequent dramatic lapses...

A very difficult film, but a slice of life I didn't know before.

“Rodeo” takes its blind corners and open roads with plenty of ferocity, but also a necessary compassion for the searching force of nature at its center.

Rodeo is engaging and gritty, but what makes the whole film hold together overall is Ledru.

There are undercurrents of danger, desire, and unpredictability in Rodeo even beyond the risks of street racing, with much of it rising from the combined fierceness and vulnerability of Julie Ledru’s character and performance.

While I liked its visuals, I wasn’t completely sold by its narrative.

Quivoron's instincts are undeniable when balancing technical ferocity with a remarkable narrative heart... [Full review in Spanish]

One of those films in which, to put it bluntly, very little happens and the story relies on its message and the environment's realism. And both things are good, but not enough to hook you. [Full review in Spanish]

Lola Quivoron debuts with a Cannes-awarded feature film that mixes the essence of youth with the passion for motorcycling and the essence of marginal life. [Full review in Spanish]