The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A… More The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A holy man known as The Hermit (C. Aubrey Smith) rallies the rulers of England and Europe to launch a Crusade to reclaim Jerusalem in the name of Christianity. Among those embarking upon this massive undertaking is England's King Richard the Lion-Hearted (played as a swaggering roughneck by Henry Wilcoxon), who finances his knights by marrying wealthy French princess Berengaria (Loretta Young) sight unseen. Saladin (Ian Keith), the elegant and well-spoken ruler of the Saracens, attempts to stave off the crusaders by kidnapping Berengaria and holding her hostage. Sensing that he can never win against so formidable a collection of foes, Saladin eventually opens the gates of Jerusalem to all but Richard the Lion-Hearted, with whom he has a personal score to settle. In the film's most memorable scene, the fundamental difference between the boorish Richard and the cultured Saladin is demonstrated when the Saracen ruler delicately cleaves Berengaria's silk scarf in twain with his gleaming sword. It took a great deal of nerve to depict the film's hero as a thuggish brute and the nominal villain as the most sympathetic character in the story, but DeMille gets away with it in The Crusades, and still has time left over to deliver his usual quota of thrills, pageantry, convoluted history and campy dialogue. And yes, that is Ann Sheridan as a Christian captive in the opening scenes.