The Dry
critic Reviews
, 90% Certified Fresh Tomatometer Score- A slow-burning crime drama anchored by a solid central performance from Eric Bana, The Dry offers gripping thrills for genre fans.
- , Fresh Tomatometer ScoreTim RobeyDaily Telegraph (UK)
It's consistently absorbing as well as evocative to the harsh finish, with mordant plot surprises Connolly keeps smartly tucked away.
Read full article - , Rotten Tomatometer ScoreHoratia HarrodFinancial Times
The landscape may be a tinderbox waiting for a spark, but the film - based on the 2016 bestseller by Jane Harper - fails to catch light.
Read full article - , Fresh Tomatometer ScoreSheila O'MalleyRogerEbert.com
Part of the joy of The Dry is watching this excellent cast in action.
Read full article - , Fresh Tomatometer ScoreK. Austin CollinsRolling Stone
The Dry is full of memories, suspicions, little rabbit holes of the mind, and at its most gripping, is all the more interesting for it.
Read full article - , Fresh Tomatometer ScoreDavid EhrlichindieWire
Bana delivers a strong performance as an unsolved case unto himself, though the slow churn of this two-pronged whodunnit story keeps him penned in for much of the film's runtime.
Read full article - , Fresh Tomatometer ScoreBilge EbiriNew York Magazine/Vulture
It's a gripping, grisly piece of work.
Read full article - , Fresh Tomatometer ScoreMo MuzammalVague Visages
The elements of The Dry may be conventional, but the presentation, as well as Connolly’s attunement to very real concerns, still burns.
Read full article - , Fresh Tomatometer ScoreBrandon CollinsMedium Popcorn
This is on the "better" end of most murder mystery films. Being set in an international place made it more intriguing and unique.
Read full article - , Rotten Tomatometer ScoreJustin BrownMedium Popcorn
The pacing was a bit slow. The inconsistencies with some of the characters was bothersome. I wanted more out of this murder mystery.
Read full article - , Fresh Tomatometer ScoreM.N. MillerReady Steady Cut
The Dry is a damn good Australian crime drama and is Eric Bana’s best performance since Munich.
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