This is the story of a chaste young TV-commercial actress (Maggie McNamara) who is romanced by a playboy architect (William Holden). Despite all sorts of temptations, the girl refuses the architect's invitation to become his mistress,… More This is the story of a chaste young TV-commercial actress (Maggie McNamara) who is romanced by a playboy architect (William Holden). Despite all sorts of temptations, the girl refuses the architect's invitation to become his mistress, holding out for marriage or nothing. Meanwhile, middle-aged rake David Niven tries to move in on the girl himself, with an equal lack of success. So why was this harmless little comedy so controversial? It seems that director Otto Preminger decided to film the play as written, retaining such words as "virgin," "seduce," and "mistress" in the script. The antediluvian Motion Picture Production Code refused to approve the film so long as those naughty words remained in the dialogue; thus, Preminger released the picture minus the Code's seal of approval. Rather than hurt the film's chances at the box office, Preminger's bold move resulted in a major financial success -- not to mention the beginning of the end for the ancient, wheezy Production Code. However, in the meantime, troubles piled up; the Jersey City Municipal Court -- at the hands of Secaucus' Justice George King -- fined Alfred Manfredonia, manager of the Stanley Theatre, 100 dollars for screening the film (declaring him guilty of violating a city ordinance), and a ban was imposed on the picture by the Maryland State Board of Motion Picture Censors. While The New York Times' Bosley Crowther dismissed the accusations of prurience, he blithely observed, "The Moon Is Blue is not outstanding, either as a romance or as a film...at times, it gets awfully tedious...Its charm...will depend on how much one delights in its choice of words."