The Right One

Like its main character, it has a rakish, if amateurish charm.

Clumsy romance addresses mental health; swearing, sex.

Even without the ridiculous and offensive way that mental illness is handled in The Right One, the movie fails to meet the basic requirement of a romantic comedy: believable chemistry between the would-be couple.

An okay semi-serious romcom that is elevated by a bright and sparkling performance by rising star Cleopatra Coleman

Godfrey is more off-putting than endearing, and the stars have no chemistry together.

This parade of quirky and detached artistic types generates some scattered laughs, but the screenplay stumbles when transitioning into a more serious examination of depression and grief.

The plot strains to tell us why Godfrey can't simply be himself. All of this amounts to little, aside from providing each actor with an opportunity to showcase something...

The Right One proves to be the right movie for our still rocky times.

The character of Godfrey could have been so much more and possibly should have been the central one with an important message about mental health in men and how it's often approached without delving deep enough just like in this film.

Never lands on the "right" anything.