The Wolf of Snow Hollow

It's the personal demons rather than old-fashioned monsters that get you - one of [the] central tenets of Cummings' genre exercise/portrait of a screw-up mash-up.

"The Wolf of Snow Hollow" is a pleasingly quirky outing that has fun with the mythologies of both monsters and men.

Cummings is so whip-smart in sustaining his manic energy with a layer of genuine pathos, that the effect transcends one-note cliche.

[Cummings] takes an unexpected turn into genre filmmaking with his fantastic follow-up.

While it does take a little time to get in sync with the energetically acerbic vibe, I got a big kick out of this one.

Among the many quirks of this very idiosyncratic comedy is that it really is structured like a thriller or a horror film.

The Wolf of Snow Hollow is another fantastic film from Jim Cummings. Its quirky sense of humor, surprisingly deep family dynamics, mixed with the murder mystery story make for an entertaining and unpredictable horror-comedy.

Snow Hollow is willing to name things like “toxic masculinity” and “anger issues” explicitly, but deft and subtle enough to show these abstractions emerging from and intersecting with the werewolf plot naturally.

Jim Cummings’s The Wolf of Snow Hollow is a howling good time.

What's most impressive about The Wolf of Snow Hollow is how many moods and tonal shifts Cummings makes throughout.