This is arguably Laurel and Hardy's best two-reel silent (the other contender for first place is Big Business). The boys play sailors on furlough. They have rented a Model T Ford for the day and meet a pair of pretty girls (Thelma Hill… More This is arguably Laurel and Hardy's best two-reel silent (the other contender for first place is Big Business). The boys play sailors on furlough. They have rented a Model T Ford for the day and meet a pair of pretty girls (Thelma Hill and Ruby Blaine). After an altercation with a gum machine and an irate shopkeeper (Charlie Hall), the foursome go on a drive and find themselves in a traffic jam. They drive past the long line of cars to discover the cause for the delay -- a driver who has run out of fuel on one side, and road workers on the other. Since they can't go forward, Ollie and Stan back up, running into another driver (Edgar Kennedy). They exchange angry bumps and the driver hits the next car back and breaks a headlight. Now the fun really begins -- the rest of the film is what Stan Laurel referred to as "reciprocal destruction." The fight that ensues goes all down the line, and very methodically, each car in the traffic jam is mutilated. Stan and Ollie, of course, are doing the most damage, pulling up fenders, removing tires, etc. Finally a cop comes and as the boys' girlfriends beat a hasty retreat, he puts a halt to the proceedings. All the drivers point at the sailors as the initial cause of the trouble, so the cop motions them to wait while the others leave. As the long row of sorry looking vehicles limp past, Stan and Ollie have a hard time remaining serious. When a truck runs over the cop's motorcycle, the boys take the opportunity to quickly drive off. The policeman orders everybody to "follow them sailors!" They do, even when they enter a railway tunnel. But an oncoming train puts the pursuers in reverse, while Stan and Ollie come out on the other side of the tunnel, their Model T squashed like a pancake on its edge.