An eccentric New Yorker abandons his upper class life to lead a more bohemian existence. He meets a young girl from the south and her family and no two people seem to get along in the entanglements that follow.
There's just no real soul to Boris, no hint of the mania behind his crazed, neurotic worldview, no inherent and implied backstory that a skilled actor can provide. David is game and does his best, but let's call this what it is: Stunt casting.
This gleefully ironic comic fable feels different in tone from the likes of Vicky Christina Barcelona and Match Point. Woody has dusted off an old screenplay from the early 1970s that he'd originally written for Zero Mostel, shelved when the star died.
Whatever works está llena de momentos geniales y divertidos, pero también de cierta humanidad en sus personajes que suele ser disfrazada de sarcasmo. Un verdadero show de Larry David, gentileza de Woody Allen.