Wild Nights With Emily

MILD nights with Emily

So clever, sexy, smart, and passionate--just like Emily Dickinson herself. Forget that pretentious, boring, confusing Tar, watch this delightful, insightful gem instead!!

This is a delightful film - tender, amusing, quite a light and fun watch. I liked that lines of Emily's poetry is displayed on screen. The relationship between Emily and Susan puts things in context. it is somewhat thought provoking, though I believe it isn't intended to be an entirely accurate/faithful period film but that didn't bother me - the themes are well conveyed. I enjoyed the piano pieces played throughout that feature in the background but don't make it difficult to hear the dialogue, thankfully. I enjoyed this film and would certainly recommend it to others, yes.

Absolutely hilarious! I think I laugh more than I should. It isn't any historical period drama that had those heavy, intense scenes and moments. I've watched a video that talks about Emily Dickinson and how this movie portrays her life in the way it should.

Wild Nights with Emily (2018), written and directed by Madeleine Olnek, is a biographical comedic dramatization of the life of 19th century American poet Emily Dickinson. It shines a light on her life as a writer, her pursuit of success to become a published poet, and her romantic relationship with Susan Huntington Gilbert Dickinson which dispels the literary myth that she was unloved and lived a life as a reclusive spinster. Molly Shannon plays the adult Emily and Susan Ziegler plays the adult Susan. Amy Seimetz plays Mabel Todd, Austin's mistress, and the first person to publish her poetry. Jackie Monahan plays the Adult Lavina and Kevin Seal plays the Adult Austin. Dana Melanie plays the Young Emily, and Sasha Frolova plays the Young Susan. Allison Lane plays the Widow Kate. Lisa Haas plays Maggie, the maid. Robert McCaskill plays Ralph Waldo Emerson, and Brett Gelman plays Thomas Wentworth Higginson. The film follows a non-linear structure. Olneck juxtaposes the narrative of Emily's romantic relationship with her childhood friend Susan Huntington Gilbert who eventually goes on to marry her brother Austin and live next door against the narrative of Mabel Todd's version of Emily's life as she tells it during a talk at the Ladies Rotary Club Auxiliary celebrating the publication of Emily's poetry. As adult women, Emily and Susan steal passion when they can and keep up a daily correspondence with Susan encouraging and inspiring Emily with her poetry. Emily's brother Austin never suspects but Susan's children seem to have an inkling especially Martha Dickinson. Olnek has woven together many visuals elements including narration, diverse angle shots, superimposed images, juxtaposition of interior/exterior shots, editing techniques, and the filmification of Emily's poetry to create a refreshing and intriguing film which puts aside preconceived notions of her life as a spinster, a recluse who never left her room. The motif of romance and intimacy between Emily and Susan and to a lesser degree between Austin and Mabel stitch the film into a cohesive structure. The film is peppered with comedic moments and touches of slapstick comedy which gives the film a "je ne sais quoi" feel. The opening shot of the two sisters-in-law greeting each other in the homestead parlor which turns into an embrace and then, a romp sets the tone for the film. Shannon is marvelous to watch as is Ziegler. Shannon gives a poignant portrayal of the head strong, irreverent, intelligent, and talented poet. Ziegler shines in her performance as Emily's romantic love interest. Their performances allow us to empathize with their characters and experience the narrative of their romantic relationship. The visuals reveal much about Emily's life and the enduring and loving relationship she shared with her childhood friend Susan. There are many tender and touching scenes in the film and one of the loveliest and sweetest is seeing the adult Emily hoist down a basket of freshly baked bread from her bedroom window to a group of appreciative and smiling young children, and than, seeing the same children revisit the spot under different circumstances. There are many comedic moments in the film which are cleverly done and a hoot to watch especially seeing Shannon's face as she hosts Judge Lord and listens to his rendition of the Bronte novels, or when she catches a glimpse of Ralph Waldo Emerson from a doorway. Another comedic highlight in the film is the scene between Austin Dickinson and Lavinia Dickinson. Austin impresses on his sister to force an introduction between Mabel Todd and Emily. Lavinia suggests she substitute her cat who happens to be called Emily Dickinson. One of the most moving and heart wrenching scenes in the film is seeing the adult Susan prepare Emily's body for burial. There's so much to recommend the film. It retells the poet's life in a bold and beautiful way and shatters preconceived notions about her spinster life, and her character. It's a film that celebrates the bonds of love between two women whose relationship found a way to thrive despite the constraints and conventions of 19th century American society. I am fan of period films about literary characters and this film went beyond my expectations for its refreshing take on Emily Dickinson's life. It's superbly acted, well-written, and beautifully shot . Olnek has succeeded in shattering the "lily white" image of Emily Dickinson and creating an authentic portrait of the true Emily Dickinson. If you are a fan of period pieces, you'll love Wild Nights with Emily. If you are a fan of Molly Shannon, you'll love her in her brilliant performance of the poet. If you are a fan of the poet Emily Dickinson, you'll love the film for its authentic re-telling of her life. Do see it for you won't be disappointed.

I enjoyed this film. I like Molly Shannon and the type of humor she presents. The numerous Emily Dickinson stories are wearing a little thin, but this comic treatment made the retelling interesting.

Loved all the research that went into this, though it definitely takes its liberties. Lavinia is the true mvp, best scene is when she suggests they introduce Mabel Todd to Emily Dickinson the cat instead of the human.

Something about the line delivery didn't work for me. The actors seemed to be deliberately reading the lines like high school students might read a play aloud in class. I can see what they were going for with that, maybe, but it didn't work for the movie. If I didn't already know a little bit about this story, I'd have been confused by the jumping around between time periods. For a fresher, more irreverent look at Emily Dickinson's young life, check out Apple TV's Dickinson series.

It often seemed like the actors were reading their lines for the first time and trying hard not to laugh.

Hubby has seen a lot of these Emily Dickinson biopics over the years and the way Dickinson is portrayed here is the antithesis of anything you've seen. If this is your first dealing with one, like it was for my wife, then you may be better off. Even if this is 100% real, the film just wasn't funny. It's a comedy filled with long stretches of time where we were both bored. Molly Shannon is acting the heck out of this, but we're talking a great comedic actress in a comedy where she doesn't make you laugh. For us that adds up to a miss. And if this is the TRUE Emily Dickinson story (the press packet had citations to facts), then YOU GO GIRL!! Final Score: Hubby: 4.2/Wife: 5.6 Average: 4.9/10