Wrath of Man

For all its flip-flops, there's never anything engaging or surprising. Very perfunctory.

A leaden, blood-spattered and painfully predictable trudge towards an anticlimax that is as joyless as it is expected.

Rough at the edges and with a propensity for cartoonish violence, this is an action caper hewn in the image of its star.

Guy Ritchie delivers a nice surprise: an LA neo-noir with high-voltage action and an ice-cube-cool Statham. If it gets a bit tangled up in its time-hopping reveals, it's largely an enjoyable, rattlesnake-mean thriller.

A shoddy opening, an intriguing middle, and a deflated conclusion. 'Snake Eyes' is as mixed a bag as they come.

It feels like the kind of film you want to see in the theater. It's the start of this season, and it's about time.

Wrath of Man is not a typical Guy Ritchie/Jason Statham project, but well worth watching for a fix of cold, effective revenge.

A mid-tier Ritchie film that does have its pleasures, and those seeking some solid action set pieces won’t be disappointed.

Guy Ritchie still follows the genre formulas of success, but shocks everyone by leaving his trademark filmmaking techniques aside, delivering an incredibly tense film packed with suspenseful, one-take build-ups to energetic, riveting action sequences.

It’s a tight, slow-paced, elegantly shot piece of work that reinstates our faith in the rapidly dying old-fashioned action genre.