You Will Die at Twenty

critic Reviews

, 89% Fresh Tomatometer Score
  • A parable perched between fate and self-determination, You Will Die at Twenty is a striking debut for writer-director Amjad Abu Alala.
  • , Fresh Tomatometer Score
    Simran HansObserver (UK)
    Sudanese film-maker Amjad Abu Alala's radiant drama dares to wonder if death could inspire courage rather than fear.
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  • , Fresh Tomatometer Score
    David JenkinsLittle White Lies
    Its quiet profundity strikes you hours, days after viewing.
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  • , Fresh Tomatometer Score
    Cath ClarkeGuardian
    [A] gentle, affecting Sudanese drama...
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  • , Fresh Tomatometer Score
    Randy MyersSan Jose Mercury News
    Amjad Abu Alala's stunningly photographed drama challenges strict dogmatic practices and posits how a life without a moral code can cause much damage.
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  • , Fresh Tomatometer Score
    Richard BrodyNew Yorker
    Abu Alala's ardent attention to daily details, rooted in political and cultural history, offers a powerful symbolic vision of the tormented and violent legacy of dogmatism and dictatorship.
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  • , Fresh Tomatometer Score
    Carlos AguilarLos Angeles Times
    A vibrant and transfixing revelation, "You Will Die at 20" is as novel a vision as we may see this year. From its meaningful ideas on the here and the hereafter, its lesson for Muzamil is that after perishing a rebirth may follow.
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  • , Fresh Tomatometer Score
    Rob AldamBackseat Mafia
    Spins an intelligent and affecting yarn in complex hues.
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  • , Fresh Tomatometer Score
    Roger MooreMovie Nation
    A potent parable for life in this (Northern Sudan) war torn and timelessly backward corner of the world.
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  • , Rotten Tomatometer Score
    Joseph FahimMiddle East Eye
    Abu Alala's ideas are quite elementary, explored at a surface-level and never wielded into something complex or thought-provoking.
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  • , Rotten Tomatometer Score
    Zachary GoldkindIn Review Online
    The journey toward present allegorical conceits, shaped into strung-along plotting that drags ... is only minimally evocative in grasping the [film's] substantial weight.
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