You Will Die at Twenty
critic Reviews
, 89% Fresh Tomatometer Score- A parable perched between fate and self-determination, You Will Die at Twenty is a striking debut for writer-director Amjad Abu Alala.
- , Fresh Tomatometer ScoreSimran HansObserver (UK)
Sudanese film-maker Amjad Abu Alala's radiant drama dares to wonder if death could inspire courage rather than fear.
Read full article - , Fresh Tomatometer ScoreDavid JenkinsLittle White Lies
Its quiet profundity strikes you hours, days after viewing.
Read full article - , Fresh Tomatometer ScoreCath ClarkeGuardian
[A] gentle, affecting Sudanese drama...
Read full article - , Fresh Tomatometer ScoreRandy MyersSan Jose Mercury News
Amjad Abu Alala's stunningly photographed drama challenges strict dogmatic practices and posits how a life without a moral code can cause much damage.
Read full article - , Fresh Tomatometer ScoreRichard BrodyNew Yorker
Abu Alala's ardent attention to daily details, rooted in political and cultural history, offers a powerful symbolic vision of the tormented and violent legacy of dogmatism and dictatorship.
Read full article - , Fresh Tomatometer ScoreCarlos AguilarLos Angeles Times
A vibrant and transfixing revelation, "You Will Die at 20" is as novel a vision as we may see this year. From its meaningful ideas on the here and the hereafter, its lesson for Muzamil is that after perishing a rebirth may follow.
Read full article - , Fresh Tomatometer ScoreRob AldamBackseat Mafia
Spins an intelligent and affecting yarn in complex hues.
Read full article - , Fresh Tomatometer ScoreRoger MooreMovie Nation
A potent parable for life in this (Northern Sudan) war torn and timelessly backward corner of the world.
Read full article - , Rotten Tomatometer ScoreJoseph FahimMiddle East Eye
Abu Alala's ideas are quite elementary, explored at a surface-level and never wielded into something complex or thought-provoking.
Read full article - , Rotten Tomatometer ScoreZachary GoldkindIn Review Online
The journey toward present allegorical conceits, shaped into strung-along plotting that drags ... is only minimally evocative in grasping the [film's] substantial weight.
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